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shannon K. winston

Genetics

My partner calls me a flamingo. I lift a leg and flush pink; 
            pink: the color of my grandmother’s 
 
bathroom where she decked herself out
            before a show. She was a burlesque dancer, 
 
or so I imagine. And so, I imagine her fanning her wings
            in the mirror, spreading fuchsias, 
 
magentas, and violets—even into heaven. 
            From heaven, my grandmother texts me: 
             
I will visit you every five days. From earth, I reply:
            bring your sunscreen and pretzels. What I don’t ask:
 
how fast did your motorcycle go? 
            Did the neighbors call the cops
 
when you broke into their pool to go 
            skinny dipping that late April evening? 
 
A late April evening, electric networks 
            of fireflies streak the sky. By September, ticks 
 
breed in dead leaves. My tics breed in my family tree: 
            nervousness passed along like sorrow,
 
like a programmed language from 
            generation to generation. Generation, 
 
meaning bring forth. Tics, anxiety, OCD— 
            diagnoses slow step through the decades. Decades 
 
of debates about nature or nurture. Is this why 
            my grandmother never wanted to be   
 
a mother? Not motherly by nature, 
            ​she tucked her fears and her loneliness away

and sashayed across the stage. On stage, 
            ​she giggled, gossiped, and made a million friends. 
 
A million friends are what flamingos also crave. 
            ​Social creatures, they feast on algae          
 
and shrimp until they blush with delight.
            ​Blush with delight, my grandmother instructs me,
 
not nerves. This is why my partner calls me 
            ​a flamingo: it is her wish for me. 
 
It is also my grandmother’s
            ​as she watches my feathers morph from 
 
gray to pink. I try, as she had, to keep panic at bay.
            ​​On one leg, the future balances: flushed, feathered, and fragile.
 

 May 2024

Shannon Winston
Shannon K. Winston’s book, The Girl Who Talked to Paintings (Glass Lyre Press), was published in 2021. Her individual poems have appeared in Bracken, Cider Press Review, On the Seawall, RHINO Poetry, and elsewhere. She holds an MFA from the Warren Wilson Program for Writers and lives in Bloomington, IN.
Art: Umbellularia Californica by Kat Cervantes
  
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